Today would have been Boris Nemtsov's 58th Birthday.
Perhaps it is appropriate, then, that the last few cultural endeavors in which I have engaged all had to do with the purpose of his life, and what led to his untimely death in the hands of Kremlin-hired assassins: the search for truth.
The first in that series was Bill Browder's must-read real-life thriller "Red Notice", which provides an appropriate backdrop to the Fusion GPS-related hearings, featuring Browder's testimony and the drama of the Russian Probe, which took place this summer. Bill Browder was a businessman who started a hedge fund in Russia. Upon uncovering massive corruption that was detrimental to running a Western business, Browder hired a Russian lawyer, Sergei Magnitsky, who eventually was arrested and tortured to death over the course of many months of maltreatment, torment, and cruel denial of emergency medical aid. Browder proceeded to lobby the US government, as well as Canada, and UK, for the passage of the Magnitsky Act, a human right law that would hold Russian oligarchs & officials responsible for his lawyer's death accountable by freezing their accounts in the US and denying them Visa. As a results, Putin passed a law banning adoptions by US families of sickly Russian babies, even those who were already in the process of being adopted.
The relations between Russia and US deteriorated at a precipitous rate since then, with Russia adopting a series of anti-Western measures, and hiring a slew of lobbyists to seek the overturn of the Magnitsky Act, which later gave rise to a global version. Amidst this international back drop, Bill Browder's remarkable and heart felt story of a brilliant, but seemingly ordinary man thrust into extraordinary circumstances, and forced to rise to the occasion for the sake of justice for his clients, salvaging his reputation, and later to bring closure to his friend's family, stands out in a haunting and easily relatable way. What I just told you is the summary of the events known to the public from the many articles arose from the corruption investigation then, and from all the Congressional and State Department deliberations later, upon Browder's involvement in the conception of this law. But I'm not doing justice to this man's creativity, selfless devotion, and successful fight against seemingly insurmountable obstacle even as it was obvious that in many ways Browder was just like any of us, battling family issues, afraid for his own life, confused and sometimes deceived by the endless obfuscation and lies of the Putin regime and the organized crime acting in cahoots with its law enforcement and intelligence.
But if you think the story ends with the successful passage of the law, and Putin's impotent fury, you are sorely mistaken. Putin proceeds to hire practically everyone he can to get the Magnitsky Law, a persona affront to his own finances, overturned, and in the processes, touches base with US-based opposition research firm, Fusion GPS, which was at the heart of scandals earlier this year. Fusion GPS was affiliated both with the Russian intelligence-connected lawyer, Natalya Veselnitskaya, known for an assortment of fraudulent activities associated with the lobbying against the Magnitsky Act, and for her confrontations with Browder himself, and Michael Steele, the former British spook, who coordinated with assorted Russian and other unnamed sources on creating on what became known as the Trump dossier, which became the subject of a separate but related controversy. All of these actors came together during the investigation of Trump campaign's alleged collusion with Russia, in a series of moves which are now largely being viewed by many critics as a set-up of greedy officials and naive campaigners to discredit Trump and sow chaos in the middle of a hotly contested election and its aftermath. Without reading Red Notice, much of what you've seen over the course of the past year will make much sense. "Red Notice" explains why Russian active measures have gotten to be so intense, relentless, and overwhelming - because of the deeply personal nature of the perceived affront to the one authoritarian ruler behind them, and because of what's at stake for his vindictive and deeply corrupt regime. Will his officials be shunned from the world's playrooms and become the international pariahs they deserve to be, or will the West be forced to concede defeat and at some point, try to work things out with Russia? That is the nature of the struggle we are facing.
A worthy companion to the story is Luke Harding's "A Very Expensive Poison", which tells the story of Alexander Litvinenko's assassination on British soil, which preceded the main thrust of Browder's story by a few years, but intertwined with it in a number of significant ways, and which also continues through the investigation of the gruesome polonium based murder into the many years of inquest and political shuffling by the British government, even as Putin's regime grew bolder, dared to assassinate more critics, dissidents, and journalists, invaded countries, and basically acted more like an organized crime gang seeking to assert its superiority, than a civilized nation with any claims to international legitimacy. The book reads like a thriller, explains in depth and reveals many of the internationally known but frequently misunderstood and misrepresented events that had to do with Russia's meddling and took place since the early 2000s, and reveals how much investment Putin had put into the obfuscation of Russia's true intentions, obfuscation that made Westerners and others believe Putin's fabrications as if they were the truth, and discredited innocent people and countries for many years to come. It also goes a long way to explain the level of mistreatment foreigners trying to uncover the truth or simply do their job in Russia (and likely its allied countries, such as Cuba) as Putin seeks to show who's the boss by tried-and-true methods of the Soviet KGB - crude, criminal, and brutal.
The topic of deliberate obfuscation is further explored in Sharyl Atkisson's "The Smear", which reveals the political actors behind current proliferation of propaganda, fake news, astroturf, and other anti-truth phenomena in modern media on both sides of whatever issue. Sharyl is a fine journalist who works hard to present all sides of the story in a frank, but fair manner. She has her biases, and sometimes gives the benefit of the doubt to people she personally sympathizes with (and denies cutting any such slack to people she finds less sympathetic - and you'll quickly figure out who those are). However, overall, she makes a well-supported argument and investigation of how people who are less informed or aware fall easy prey to corporate and political interests who hide their true agenda in layers of cynical PR moves, some additionally fed by foreign agents, and some simply reflecting the particular interests of the particular entity. Most importantly, she convinces that even the most politically devoted of political activists should stay clear of complete hackery that now passes for journalism and activism, and learn to perceive what these actors pay dear money to hide and bury in the midst of the noise we are inundated with on a daily basis.
Why should we spend any time thinking critically, when it's easier to let Russian active measures, political manipulators on the left and the right, and corporations feeding seemingly independent think tanks their talking points to just do what they do best? The answer to that question is very clearly answered in the stunning and shocking Broadway show "1984", which we managed to catch just before it ended its limited engagement on Sunday. The show used a clever combination of live action by an amazing cast, including Olivia Wilde, video visuals, and flashbacks to make the audience feel an integral part of the events of totalitarian one-party dystopia brought to life on stage. Interestingly, as I rediscovered from being a part of this fantastic experience, the show was less about Communism as such, and more about statism, individualism, and humanity. Therefore, anyone who has ever experienced the oppression of state control will easily identify with the events portrayed in the show.
The anguished outcry of a seemingly confused protagonist Winston Smith, struggling to distinguish between false memories and real ones, can be any of us, not just through the elections last year, but through decades of seemingly increasing propaganda and proliferation of narratives, fake news, alternative facts, and basically, every conceivable version of interpreting reality except devotion to the truth.
"Because facts matter! Because truth matters!" - exclaims Winston at some point during the play, and it is something that is painfully needed to be said, and repeated again and again, in a climate where truth is nearly impossibly to define in the proliferation of fabrications, smears, accusations, biased articles, and distortions of all sorts. Winston spends the rest of the play trying to remember the reality, hold on to even tiny slivers of truth as he knows it. His ultimate act of freedom and defiance comes in the form of a bold assertion: that 2+2=4. That objective, undeniable reality exists, and no amount of fearmongering, brainwashing, and information control can make it otherwise. And yet, the totalitarian statists are determined to crush any shreds of individuality. During one particularly poignant moment, the audience becomes tacitly complicity in the brutal and shockingly graphic torture that the the calm, professional representative of the states imposes upon Winston, still stubbornly clinging to the truth and a sense of individuality. "Don't just sit there, don't just watch it, help me!" - screams Winston, and we are all left there feeling awful and powerless, because we cannot get up and do anything, dare not do anything, dare not become part of the action. I wish, in fact, that the play would have allowed for such a maneuver. I would be curious to see if anyone in the audience would have dared to cry out "Enough!" Instead, we watch as with crushing inevitability, the machine crushes the individual, forces him to betray everything he believes in. And even as his diary remains as evidence of what actually happened, in the future generations on stage we recognize ourselves, even with evidence in our hands, struggling distinguish truth from fabrication, still trying to get past what the ghosts in the past would have us believe. The show concludes with a disturbing thought: perhaps the greatest accomplishment of the party has been to restructure reality in such a way that we thought that it had fallen, where in reality, there it was, reaching with its tentacles from beyond the grave, making us think that war is peace, that black is white...
Let's admit to it, folks. We are not living in a totalitarian state. But we are living in a reality where individualism is increasingly devalued, and where we are being increasingly swayed to believe that truth is what we are told truth is. And the statist fellow travelers, under different names and with slightly adjusted agendas, have outlived the Communist Party, to continue affecting their influence insidiously and from within.... The Communist Party may be dead. But statism is alive, well, and proliferating, through deceptions, and propaganda, and through people trusting those they should never have trusted - and thus, the Big Brother is alive and well.
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